Anmol Irfan is a Muslim-Pakistani freelance journalist and editor. Her work aims at exploring marginalized narratives in the Global South with a key focus on gender, climate and tech. She tweets @anmolirfan22
On the red carpet at Cannes in May, Indian actress Parul Gulati stunned by wearing a dress made entirely out of human hair. Her dress was designed by ITRH², an innovative design label known for pushing the boundaries of what’s considered acceptable in sustainable fashion, and in it she took one high-heeled step further into what counts as formal and decent in high fashion. Gulati wore the dress to a Cannes film festival freshly revisiting its fashion rules, and launched a soft salvo into how and where the auteurs of attire must think about sustainability. Earlier this year, Copenhagen fashion week also highlighted sustainability as a key feature of the ramp. Sustainability requirements were introduced at the event in 2023, and this year collections were smaller, inclusive and used far more natural fabrics.
Gulati is just one example of how South Asian fashion has also quickly become a key part of the global fashion industry, with designers like Gaurav Gupta, Tarun Tahiliani and even Rastah all making appearances at Cannes, fashion shows and even the Met Gala. But the globalisation of fashion has also led to an increase in fast fashion – one that’s worrying sustainability advocates everywhere. In the last 20 years, global fibre production has almost doubled from 58 million tonnes in 2000 to 116 million tonnes in 2022. It is further expected to continue to grow to 147 million tonnes in 2030. The fashion industry is responsible for 2-8 % of global carbon emissions, and 85% of textiles go to the dump each year.

This comes at a time when countries across the world are already seeing the impacts of climate change, through increasingly drastic changes in weather patterns, heatwaves and disasters. It also coincides with Trump’s controversial global tariffs, many of which have targeted countries that are home to some of the biggest fashion production factories, including countries like Bangladesh, India and Pakistan. And in the US, South Asians are taking a stand against the silencing of a culture that has long embodied sustainable fashion. From brands like Labyrinthave and eight thousand miles, to spaces like Society of Cloth, South Asians are diversifying the sustainable fashion space through age-old traditions.
With the South Asian diaspora also increasing in the US, South Asian fashion is quickly becoming a part and parcel of US society, and more and more sustainability advocates are emphasising diversity in that area. Even within the western fashion space, South Asian trends are making a mark, but not always in the right way. In April, fashion brand Reformation was called out for culturally appropriating South Asian attire and it’s not the first time. Last year the dupatta was repackaged as a “scandinavian scarf” trend. South Asia has a long and rich fashion history that has, until recently, prioritised long term, slow, sustainable fashion through its intricate hand techniques, traditions of hand me downs and mending, and use of natural materials. But as Trump’s tariffs and policy changes come into play – connecting to global fashion may be getting harder, and less sustainable.
“I’m more likely to tell you where Pakistani or Indian embroidery comes from compared to western fashion. There’s hand techniques like block printing and materials like khadi that are indigenous and have a lower environmental output,” says Zainab of Ahista Stories – a slow fashion advocacy platform based in London.
Building brands, sustainably
As more and more South Asians in the US and across the world raise their voices within the sustainability space, they’re building brands and fashion spaces that bridge the gap between generations worth of South Asian sustainability and the modern sustainability movement.
Nisha Khater founded Society of Cloth as a marketplace for designers based across South Asia to find a home in the US. In November 2024, they opened a store in New York as well, where they keep pieces from a range of designers they collaborate with. The goal is to bring ethically made South Asian fashion that represents South Asian traditions to customers in the US. Khater, who has lived between various cities in India, Bangladesh and the US, and was living in Dhaka when the Rana Plaza collapse happened, says she’s always been aware of the missing pieces in the western sustainability conversations regarding supply chains and garment workers.
“The whole concept around textiles in South Asia is very circular. It prioritises low waste and environmental impact, whereas sustainability in the west focuses on specific facets of it and the reason I don’t mean this as a critique is that it’s just about the way we grow up in the US,” she says. For her, this is merely an opportunity to build up more sustainable fashion choices for consumers in the US through education. Collected xx, a Pakistani brand that Khater stocks at Society of Cloth, just did a line of bags made from recycled fabric waste. “Our brands put a lot of educational material on the tags so we try and include that in our messaging like “hey when you look at the pieces don’t forget to look at the tags”,” Khater says, adding that it allows customers to connect to what they’re buying and the journey of the piece. She says this entire process is inspired by South Asian sustainability practices.
“I think within South Asian tradition and I’m just speaking from personal experience as well, we’ve always been so connected to the earth. A common thread is always connection to the earth, the idea of it is life giving,” she says adding, “There’s a collectivist mindset we see in South Asian cultures. The passing down of clothes between families and friends creates lots of interactions in communities where garments are passed down and used much more frequently than they probably are in US communities.”
This is a stark comparison to the heavily consumerism-led society in the US, where decisions are made focusing much more on economics. With Trump’s latest tariffs, those divides may have increased further. “The harmful thing is that they [tariffs] do create a lot of uncertainty around a market that’s already foreign to somebody and that creates fear both ways, for audience shopping from these brands and also from our brands side,” says Khater.
Experts also worry that tariffs could make it even more difficult for already struggling consumers to spend on sustainable clothes.
Worn Out
Even South Asian consumers within the US have started thinking about how to connect their heritage with their everyday choices. Shwetha Ravishankar, a sustainable fashion advocate and host of podcast “Chai Break” points out that for many South Asians, traditional fashion has become fast fashion because it’s only for occasions, and so no one really puts thought into the clothes they are getting and where they are coming from. Ravishankar adds that it wasn’t easy to make the shift, saying sustainable South Asian brands in the US still do struggle to find a market. But she points out that there’s a space for brands to do everyday wear using sustainable South Asian techniques.
That’s exactly why Shweyta Mudgal founded 8000 miles, a sustainable & ethically handcrafted lifestyle collection for children. Mudgal uses sustainably sourced cotton and block printing techniques done by artisans who have been printing for generations.
“The story of my brand has been very simple and straightforward and the idea was to create social impact through design. We wanted to start with the art of block printing, because it’s been an age old technique in South Asia. The idea was to contemporize block printing, make it accessible to western markets,” Mudgal shares.
She adds that in the last decade of working in this space, she’s seen a growing awareness around these age-old techniques and the unique nature of hand printed clothes. “If people come across our work for the first time or work across a booth they always ask because I think our fabrics speak,” Mudgal points out, talking about the importance of having such products available so that people can know more about them.
Ravishankar also points out that these things take time and the price points are higher, and in a world where everyone needs instant gratification, a shift back to South Asian traditions can help us appreciate the value of crafts again.
Still, this already niche industry may struggle further under Trump’s new tariffs. Both Khater and Mudgal share that they have a lot of decisions to make with regards to how they need to adjust the tariff costs into their supply chain. Neither wants their customers or artisans to have to bear the brunt of it. For now, most brands, like hers, are ‘trying to make sure tariffs don’t cause loss of value to the garment,” Khater says.
Current research on the impact of tariffs so far has shown little change in the way the fast fashion industry is working. True change may need more than just restrictions – but collaboration with the communities that have been harboring these traditions for so long. Michelle Gabriel, program director of MS in Sustainable Fashion at IE New York College, said in a recent article that fashion needs policy solutions if we need to see long term sustainable change.
Bills for companies to disclose environmental impact are already underway, but international trade policies also need to reflect these commitments. In September, the EU set up new rules
where producers of clothing and other textiles, cover the costs for collecting, sorting, and recycling their products
“State-level fashion acts are meaningful because they could force brands to take real responsibility for their supply chain emissions in some of the world’s largest economies,” Rachel Van Metre Kibbe, CEO of American Circular Textiles (ACT) in Brooklyn told Trellis.
With the future seeming so uncertain, it’s even more important for these brands to continue raising awareness as they’re doing. Until conversations around sustainability become truly global and encapsulate how communities in the global south have been harbouring sustainability for generations, we won’t see any solutions.



